This is a good page.

                    It is blank,

                    And getting blanker.

                           —Larry Levis



Class, let’s celebrate the loss

of another calendar,

crumpled like a dismal essay draft

in a trashcan that is itself

crumpled and dismal. Happy New Year.

Hallelujah, I resolve to stop speaking

in metaphors: everything I say

shall be journalistic and literal,

and I shall report all events exactly

as they happen. Example: The stars

are a many-necked necklace.

Crap, I’m a failure.

The sky over Atlanta is almost pointless,

literally: three, maybe four stars,

the stubborn ones, dying

to stir any of you into what

my old mentor calls a long stare. If only

you could be dwarfed yet heartened

by the night sky over Valentine,

Nebraska—miles and miles

from any star-dissolving metropolis,

and from whence is visible

the entire cosmos, the Milky Way

swaying like a hammock over the Great Plains.

Class, in Valentine the cosmos sings.

If only you could listen to each holy eon.

And while you’re looking up

eon, let me tell you a bedtime story.

Not so long ago, in this very galaxy,

I heard one of your peers debating whether

or not to take Astronomy next semester.

He thought he would “look at clouds and shit.”

The End. The abyss

will swallow him and not even bother to spit

out his skeleton if he fails to discover the Grand

Canyon of himself—the Self

sedimentary, microscopic in the belly

of each erosive eon. Yes, Class, more eons.

Eon eon eon eon eon. Such is long staring.

Some say we are the universe

dreaming. But Cloud Boy must be

giving it nightmares. Because what else

could terrify a universe?

The Big Crunch? Falling? Being chased

by a bully universe? Imagining names

for every thing—some Adam

armed with ambition and a label gun?

Or maybe just Cloud Boy

seduced by the city’s reflective glare, raped

by the clamor of pop culture, O child

of star-dissolving technology, O non-starer.

As always, Class, you’re bored.

All right, then sing “Auld Lang Syne” with me.

The song reminds me of Scotland,

though I’ve never been to Scotland,

reminds me of my grandmother sailing

the gulf of her final years.

Sing it, god-dammit.

Extra credit for crooning.

Extra credit for knowing what crooning is,

my darling hip-hop dawgs and gangsters,

my dear bitches and hos, my precious

groupies of the insipid pop star, my sweet

little Emo babies lapping the whiny amnion

of MTV. I remember when it was born, that pop-

cultural Big Bang.

This was years before you were even a puff

of hope inside Mama’s brain, a speck

of amino acid in Daddy’s spine….

Hallelujah cubed, multiplied by amen.

That should have been your midterm.

My esteemed bizzles, if I had a dime

for every time popular culture acted

sensibly, I’d have a nickel.

Joel, your eyeballs are nickels: dull,
worthless. Melanie, your skull

is a cradle of ill-chosen words—

O flambiguous Melanie, O jankless jankey.

Robin, while the planet’s tectonic

plates are held together by your bubble gum,

they nevertheless grind toward catastrophe.

Sandeep, even your cells drool,

bored with the tiresome lecture

of your body….

Class, I’m tired. I’ve just arrived

from Luquillo—jewel of the Atlantic.

My DNA is still looped into hammocks,

stares off across tropical cytoplasm,

lagoons of primeval goo,

mitochondrial reefs, a dense nucleus

of sea-reflected stars….

Learn this well: my DNA shall not be

juggled with—it is, after all, an acid.

Ralph, I’ve dipped your prose

in acid: may your syntax improve,

may your adverbs bubble and dissolve.

Wendy, may you wander in late
to your own burial,

and may your closed casket gasp

open before swallowing you, Wendy.

Alex, Alex, Alex—plagiarist

of a memoir, may you discover the remote

little island of your own history,

O conquistador of Failure, O Captain Sloth….

Class, I envy your infinite room

for change: 18 years old—what will happen?

At 18, I was your ancestor: same thumping

leg, same uninventive sarcasm

(my poor mother), same lack of verve,

same blind worship

of over-rated troubadours.

But at 32, the song remains the same:

yawning mailbox, mugs of ale, smashed

alarm clocks. Smashed alarm clocks

litter my apartment: wherever I walk,

I kick through their broken skeletons….

Can a person change at 32?

Can he get new molars, a new spine,

a new soul? I don’t know

what a soul is. My father would be damned

to let his boys grow up

in a haunted house, cowering

in the cobwebbed attic of Religion.

Is the soul a haunted house?

Does it have paws, jaws, retractable claws?

Is it a machine, a black hole,

a hailstone? Does it glisten like pollen?

Is the soul a honeycomb?

A sailboat? A willow? A ribbon

of neurons? Class, there’s your god-

damned final exam. You’ll earn one

of two grades: an A for showing

a proton of self, or an F for throwing

a wrench into the cosmic loom.

Nancy, don’t worry—you’ve missed nothing

but the point. Emily, I lied—nobody cares

about the cuteness index of your fucking

puppy. Rebecca, may your trite suburb

be flattened by a cyclone

of cliché, and may you dangle

à la participle from the village gallows.

Stephanie, I wish you would drop

me a line next spring—you, the only one

for whom my little bells toll.

Antonio, may the hip nightclub you deem

a temple be evacuated during a scourge

of nauseating semi-colons. And Farley,

did you dream of a swarm of F’s—thrumming

mosquitoes envying your luminous inaction?

Class, I’ve tried to teach you

that you cannot toss envy into a corner

trashcan, that you cannot crumple

infinity like a hundredth essay draft.

More abstractions: absence, apathy,

arrogance—all lined up alphabetically,

the dictionary of your lives….

Alas, I cannot teach you how to learn

who you are, how to be perceptive.

Example: I’m certain

that not one of you has been paying

attention: do you really think

I’m writing to you from a vast continent

of ice and stone, a place where the stars hang

from their cosmic hooks, and sway?

Ah, but I may as well be: the horizon

circles me, white and empty, a new page,

gloriously, gloriously blank.

letter to english 101 from the south fucking pole

by mike dockins

Mike Dockins was born in 1972 and grew up in New York. He holds a BS from SUNY Brockport and an MFA from UMASS Amherst. He lives currently in Atlanta where he is completing a PhD from Georgia State University. He has worked with Five Points, Terminus, and The Massachusetts Review, and he is a co-founding editor of Redactions: Poetry & Poetics. Mike's poems have appeared in numerous magazines, and his first book, Slouching in the Path of a Comet, was published by Sage Hill Press in 2007. His poem, "Dead Critics Society," will appear in the 2007 edition of The Best American Poetry, guest edited by Heather McHugh. You can find Mike's band CLOP on iTunes. Home page: www.myspace.com/mikedockins.